Pulp fiction?Travolta allegedly claims Hollywood run by gay Jewish men.

Pulp fiction?Travolta allegedly claims Hollywood run by gay Jewish men.(TOI).John Travolta allegedly said he performed sexual favors for the “homosexual Jewish men” who controlled Hollywood, according to testimony provided in a lawsuit against him on May 4. A masseuse sued Travolta in the US District Court in Los Angeles for sexual assault, sexual battery, and intentional infliction of emotional distress, and demanded $2 million in damages. Among the sordid details of the incident is the masseuse’s claim that Travolta told him that he “got to where he is now due to sexual favors he had performed when he was in his Welcome Back, Kotter days; and that Hollywood is controlled by homosexual Jewish men who expect favors in return for sexual activity.” Travolta denied the veracity of the masseuse’s claims. He said he was on the East Coast at the time in question and that the lawsuit ”is a complete fiction and fabrication. None of the events claimed in the suit ever occurred.”Hmmm.........Wow i just had a thought Mel Gibson going trough this "The Passion of Mel"?Read the full story here.

Hollywood screenwriter Joe Eszterhas Explodes at Mel Gibson: 'You Hate Jews'.

Hollywood screenwriter Joe Eszterhas Explodes at Mel Gibson: 'You Hate Jews'.(Yahoo).Hollywood screenwriter Joe Eszterhas is accusing Mel Gibson, his recent collaborator on a movie about Jewish revolt, of “hating Jews” and using him to deflect his anti-Semitic reputation. In an explosive nine-page letter to Gibson obtained by TheWrap, the screenwriter wrote that the director of “The Passion of the Christ” never intended to make the movie about Jewish heroism, called “The Maccabees.” Instead, Eszterhas said, Gibson announced the project “in an attempt to deflect continuing charges of anti-Semitism which have dogged you, charges which have crippled your career.” He added: “I've come to the conclusion that the reason you won't make ‘The Maccabees' is the ugliest possible one. You hate Jews.” TheWrap reported earlier that Warner Bros. has put the controversial project on hold, and rejected Eszterhas's script as lacking in “a sense of triumph.” A spokesman for Gibson had no immediate comment.
Eszterhas' letter reveals a more complex dynamic, a disturbing picture of Gibson as a man yet again out of control, inflicting frequent rages on those around him, in the grip of an anti-Semitic obsession, and possibly dangerous to those around him. On several occasions, said Eszterhas, Gibson “was wild, crazed, and explosive.” The April 9 letter also recounts Gibson's threatening to kill his ex-girlfriend, Oksana Gregorieva. “You were raving at Oksana even after you'd reached a custody agreement over Luci,” their daughter, the letter says. “And then you were even more explicit about your threat: “I'm going to kill her! I'm going to have her killed!” You said you'd become friends with two FBI agents (or former FBI agents) and they were going to help you to kill her.” 
Gibson's anti-Semitic obsession was a leitmotif of working on the film together at Gibson's homes in Malibu and Costa Rica, Eszterhas said. "You continually called Jews 'Hebes' and 'oven-dodgers' and 'Jewboys.' It seemed that most times when we discussed someone, you asked 'He's a Hebe, isn't he?' You said most 'gatekeepers' of American companies were 'Hebes' who 'controlled their bosses.'" The slurs continued, through their work: “You said the Holocaust was 'mostly a lot of horseshit.' You said the Torah made reference to the sacrifice of Christian babies and infants. When I told you that you were confusing the Torah with The Protocols of the Elders of Zion, ... you insisted 'it's in the Torah -- it's in there!' (It isn't)." And he said Gibson told him that his intention in making “The Maccabees” was “to convert the Jews to Christianity.”
Rabbi Marvin Hier, founder and dean of the Simon Wiesenthal Center, said he was not surprised by Eszterhas' allegations. Hier has been a critic of Gibson's involvement in the Maccabee project since the film was announced in September. “I was was not among those that offered any forgiveness,” Hier said. “The whole apology was a joke. It was written by a publicity agent. If he wanted to profoundly apologize, he could do it the right way. He could visit a concentration camp. He could take a course on Holocaust studies. He could write an opinion piece. He did none of that, so it comes as no surprise to me.” Eszterhas, who declined to comment for this story, has himself lived a tumultuous life. He was at one point one of Hollywood's highest-paid, most sought-after screenwriters, writing such hits as the erotic thriller “Basic Instinct” and “Flashdance.” He had a religious awakening after contracting throat cancer in 2001 and left Hollywood, moving back to his native Cleveland. After encountering Gibson's conduct, Eszterhas writes that he felt trapped, but then decided to ignore the racist remarks and write the script based on his own research. He implores Gibson to return the script to him. With Warner rejecting the script, Gibson has the option to take it elsewhere.Read the full story here.

"Israel be warned" - Mel Gibson returns to Gallipoli, will star in Turkish director Serdar Akar’s new project.

Caption : "A trench at Lone Pine after the battle, showing Australian and Turkish dead on the parapet. In the foreground of this much published image is Captain Leslie Morshead (later Lieutenant General Sir Leslie Morshead) of the 2nd Battalion and on his right (standing facing camera), is 527 Private James (Jim) Brown Bryant, 8th Battalion, of Stawell, Vic. As a 60th Battalion ("daughter" or "pup" battalion of the 8th) Company Quartermaster Sergeant (CQMS) Bryant was awarded the Military Medal (MM) in 1918

"Israel be warned" - Mel Gibson returns to Gallipoli will star in Turkish director Serdar Akar’s new project.(HD).World-renowned Australian actor Mel Gibson will star in Turkish director Serdar Akar’s new project “Çanakkale İçinde” (Within Çanakkale). Akar is known for his TV series “Behzat Ç” and films “Kurtlar Vadisi Irak” (Valley of the Wolves: Iraq), “Barda” and “Dar Alanda Kıa Paslaşmalar” (Offside). Gibson will play a British commander in the film about the Battle of Gallipoli. In 1981, Gibson also starred in another film about the battle called “Gallipoli.”
The film, which will bring audiences to 1915, centers on the heroism and dramas during the Battle of Gallipoli.
Hmmm...The film "Valley of the Wolves" has sparked mass hysteria in the Turkish community. But behind a classic battle between good and evil lies a dangerous agenda, writes EU parliamentarian Cem Özdemir in his review for SPIEGEL ONLINE. The movie’s goal: divide and provoke.The main theme of the movie is revenge (and maybe even the reason for the movie itself). The film follows a Turkish intelligence agent as he seeks to avenge the officers and restore their honor. This wouldn’t be so bad if the film didn’t portray the opponents of Turks and Muslims so brutally –- the bad guys in this black and white world are the Americans, the Kurds, the Christians and the Jews.This film portrays the Kurds of northern Iraq as puppets of the Americans and as a motley crew of dirty, cowardly soldiers with the exception of one soldier who (what else?) sides with the Turks. The Americans’ atrocities include attacking a wedding and killing the groom as well as a child –- in front of its mother of course –- before relishing in the torture of any survivors. The doctor who peddles organs is a Jew who selects his victims as if in a concentration camp before readying their organs for export to the US and Israel. Another traditionally dressed Jew with ringlets of hair (in northern Iraq!) leaves the area at the first sign of danger.  The list could go on. It’s hard to believe that the film is shown with no age limit in Turkey (but has an 18-and-over rating in Germany). The film makes Christians and Jews appear as repugnant, conspiratorial holy warriors hoping to use blood-drenched swords to expand or reclaim the empire of their god. Islam, naturally, is depicted as the opposite –- a religion of peace and mercy. The ostracism of suicide bombers could be seen as positive were it not such a blatant and simplistic portrayal of good and evil.
It’s too easy for director Serdar Akar to defend himself by referring to American war films that portray Asians as racist. He shows he has an agenda by using Soner Yalcin, who espouses a crude thesis on the infiltration of Jews in Turkey, as an adviser and to gain publicity.Hmmm....Perfect team for a 'Turkish' version of Gallipoli?"Fucking Jews... The Jews are responsible for all the wars in the world… Are you a Jew?" Gibson — to male police officer during 2006 DUI arrest.Read the full story here.