Author of UNESCO’s nixed Israel exhibit: "UNESCO is fine with organizing Holocaust exhibitions,They love dead Jews."(
TOI).
Speaking to The Times of Israel, Wistrich – the exhibition’s sole author – said it would be a “euphemism” to say he was unhappy about the sudden death of an exhibition that took him nearly two years of hard work to complete. It showed UNESCO’s “contempt for the Jewish people and its history,” he said.
“
This is such a betrayal. To do it in this way is so disgraceful,” fumed Wistrich, who directs the Hebrew University’s Vidal Sassoon International Center for the Study of Antisemitism and is one of the world’s leading authorities in the field.
An “appalling act,” the cancellation “completely destroyed any claim that UNESCO could possibly have to be representing the universal values of toleration, mutual understanding, respect for the other and narratives that are different, engaging with civil society organizations and the importance of education.
Because there’s one standard for Jews, and there’s another standard for non-Jews, especially if they’re Arabs, but not only.”
UNESCO’s decision to cancel the exhibit allows just one conclusion, Wistrich added: “That at the end of the day, their mandate, which is to be the United Nations’ organization for the promotion of education, culture and science, is in fact subjected, entirely, to political considerations.”
Wistrich also claimed that UNESCO only agreed to host the exhibition to improve its image in the United States, hoping to get the administration to start funding the organization again, after it stopped paying when UNESCO admitted “Palestine” as a member.
The historian also took aim at the Obama administration, suggesting the State Department was schizophrenic because it had refused to cosponsor the exhibition — invoking the same reasons that Arab member states used when working successfully to torpedo it — yet later condemned the fact that it was canceled.
On January 14, Abdullah Alneaimi, the head of UNESCO’s Arab Group, which consists of 22 member states, wrote
a letter to the organization’s Director General Irina Bokova expressing “deep concern” over the exhibition, arguing it would disturb the current Israeli-Palestinian peace talks.
Bukova quickly capitulated. There remained “unresolved issues relating to potentially contestable textual and visual historical points, which might be perceived by Member States as endangering the peace process,” UNESCO said in a
press release published Friday.
“In this context, regrettably, UNESCO had to postpone the inauguration of the exhibition.”
In a letter to the leaders of the Wiesenthal Center, Bukova
recalled her “very firm dedication to building consensus in all UNESCO decisions and resolutions taken by Member States on issues relating to the Middle East.”
“What a mealy-mouthed piece of hypocritical double talk that really is,” Wistrich said of the letter the Arab states sent to Bukova. “And the fact that the secretary general then, within the hour almost, announced that the exhibition was suspended, postponed, de-facto canceled, tells you a great deal of the really cringing capitulation of UNESCO to the first sign of any pressure.”
There was no consultation with the Wiesenthal Center, or anyone else, ahead of the exhibition’s indefinite postponement, according to Wistrich. “It was simply done in an arbitrary act of total cynicism and, really, contempt for the Jewish people and its history.”
The thought of this exhibition being literally locked up in the halls of UNESCO in Paris, with no one permitted to look at it, is a symbolic encapsulation of how the international community as represented in the UN relates to the history of the Jewish people, Wistrich said. “This is something to be censored; no narrative that doesn’t fit the currently prevailing Arab narrative is to be permitted.”
UNESCO is fine with organizing Holocaust exhibitions, Wistrich allowed. “They love dead Jews. And they’re more than ready to be very accommodating in drawing the universal lessons of how this must never happen again.”
However, the idea “that Jews are alive and well and fighting and struggling to determine their own fate in their own homeland is something much more difficult to stomach, for political reasons that we know.”
Citing UNESCO’s “track record” of anti-Israel bias, Wistrich said he was skeptical from the very beginning about the organization hosting an exhibition that would surely displease the Arab members.
In 2011, UNESCO admitted “Palestine” and since then Israeli and Palestinian officials have sparred about its work in Jerusalem. In June 2012, UNESCO approved
a resolution slamming Israel over its Jerusalem policies.
Starting in 2011, the US administration, which hitherto had been the organization’s main benefactor, annually contributing $18 million — 22% of its total budget — withdrew funding.
“No doubt one of [UNESCO's] major considerations when they initially agreed to this project, which goes so much against the dominant narrative at UNESCO and UN organizations, was that they thought that perhaps this would lead them back into creating a better image for themselves in the US and this might lead to the reversing of that decision.”
But Wistrich, who grew up in Britain before immigrating to Israel, also criticized the
way Washington dealt with the situation.
The State Department had been repeatedly asked to cosponsor the exhibition, and “after sitting on the fence for a long time they declined, using a very similar argument to that used by the Arab delegates,” Wistrich said.
Earlier this month, Kelly Siekman, the State Department’s director of UNESCO affairs, wrote to the Wiesenthal Center: “At this sensitive juncture in the ongoing Middle East peace process, and after thoughtful consideration with review at the highest levels, we have made the decision that the United States will not be able to cosponsor the current exhibit during its display at UNESCO headquarters. As a rule, the United States does not cosponsor exhibits at UNESCO without oversight of content development from conception to final production.”
“That makes the US, passively at least, complicit in the UNESCO decision,” Wistrich charged. “Because in my view UNESCO would not have felt that it could, with impunity, act in this way if the US had been a cosponsor.”
The State Department later condemned the exhibition’s postponement, and said it had engaged with senior UNESCO officials to affirm its strong interest in “seeing the exhibit proceed as soon as possible.”
“
When one looks at it from the outside, one is tempted to see [the State Department's behavior] as an example of schizophrenia,” Wistrich said.
It is legitimate not to want to cosponsor an event, he allowed, but the State Department gave “a bogus reason, even if that’s what they believe.”
The exhibition “has nothing to do with the peace process,” he asserted. “
If the US had agreed to cosponsor — which is not such a dramatic thing for it to do — then probably this would not have happened. You can’t really have it both ways. This expresses something of the ambivalence of the Obama administration.”